Sax payer Robert Kyle's third album continues in the mode of his second in that all the compositions on the set are his own. They are the standard lot, a couple of blues, some ballads and a swinger or two. All are listenable, but not all are especially memorable. Two exceptions are the lovely ballads "Three Angels" and "Sweet Life" where Kyle's similarity to the playing of tenor man Ernie Watts is especially apparent. Another fine track is the swinging "Sammy Boy" where we are treated to a solid piano solo by Llew Matthews and some funky harmonica by Dale Spalding. These tracks further distinguish this album from Kyle's previous one in that the latter leaned far more to the smooth side of the jazz spectrum. When Spalding (he's also on "Blues 4 Dr. Foot") and/or Riner Scivally are present, Kyle's playing seems to be energized. Scivally's guitar on "Ism-Eddie" (where do they get these tune titles?) encourages Kyle to engage in some fine up tempo improvising. The other tracks where there is only Kyle and the three person rhythm section performing are far less exciting and ear grabbing.
Nonetheless, Mr. Kyle is a fine player and has an excellent cast of characters around him on this CD, which is worth a listen. This album and his others are available through Kyle's Internet site, www.robertkyle.com.
Track Listing
Ism-Eddie; What Birds Know; Blues 4 Dr. Foot; Three Angels; Mr. G's Wild Ride; Say What; Sammy Boy; Wanderin'; Pocketful `O Trouble; Sweet Life
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.